24 January 2008

Paula Scher's Maps



Map lover that I am, I'm absolutely enthralled with the maps of graphic designer Paula Scher. Well known for her typographic work at Pentagram, where she is a partner, Scher is also becoming well known for her large scale maps, painted painstakingly in acrylic on canvas. The Maya Stendhal Gallery in NY has been hosting an exhibit of Scher's most recent maps, which depict countries and cities from all over the world that have been a focus of attention in recent headlines.

Covered with dense hand-painted labeling and information, the maps are informed by information gleaned from the media. One of the things I find so compelling about them is that they end up appearing both accurate and inaccurate. The level of detail makes the maps seem like they must be accurate, but the choices of color and wandering border outlines that belie Scher's technique of drawing by eye give the maps an emotional and subjective quality. “They’re all wrong,” Scher says. “I mean, nothing’s in the right spot. I put in what I feel like. It’s my comment on information in general. We receive a lot of information all the time and mostly it’s lies or slight mistruths.”

Scher also reveals that each map can take as long as 6 months to create, a fact that I find reassuring as I struggle with my reaction to the laborious nature of the woodblock maps I've been creating. The exhibit ends in two days, on January 27.

6 comments:

Celia Hart said...

These are amazing - they remind me of Australian aborigine dream time paintings (which are also maps).

Celia

Anonymous said...

"they remind me of Australian aborigine dream time paintings (which are also maps)." That's exactly what they look like! Here are a few samples: http://www.desertdreams.com.au/
Desert_Dreams_Exhibition.php

Patricia Phare-Camp said...

Whew, for a minute there I thought we may have a case of cultural appropriation...but on closer inspection NOT. They may put one in mind of aboriginal paintings but they are not so near or exact. The only similarity I see is some of the dot patterning...anyway I'm glad because I want to share these with my master's project adviser who skillfully uses text (hand rendered) in her paintings. I think she will have an appreciation of the skilled lettering in these works.

Annie B said...

I too see the resemblance to Australian aboriginal paintings, but these canvases are huge (5 or 6 feet high), and most of what looks like dots at this resolution is actually lettering.

Scott said...

Love her paintings. Do you have any idea where one can get a print? I have been searching around online with little luck.

Nice blog

Annie B said...

Hi Scott, thanks for the comment. It looks like the Maya Stendhal Gallery put out limited edition screenprints of two of the paintings, but they sell for several thousand dollars. Other than that, I don't know of any prints.