20 July 2014

Printing White Line

Today I've started the printing. Whoa! It's easy. It's fun. I could get used to this.

I've read of some people using tape to secure the print to the block, others using thumb tacks or push pins, and still others using some sort of jig. Sometimes white line printers attach the paper to the back side of the block and wrap it around to the front, some artists attach the paper to the side edge and fold it around to the front. I opted for thumb tacks on the front so there would only be the crease in the paper caused by folding it back for inking. I also cut a thin piece of mat board on the assumption that I would use fewer tacks that way. (This image is about 6" x 9".) Because I'm right handed, I attached the paper to the left side.

Then I mixed up some tubed watercolor and started painting the block, one small section at a time. I started with the background just because that's what I was drawn to first. (I don't think it matters where you start, but it might.) I'm using Echizen Kozo because it's a paper I know and trust and I wanted to give myself a head start. I'll test some other papers in prints to come. I tried using both a spoon and a bone folder to print. I like the bone folder because it feels better in my hand, but both do the job. I should note that I'm printing on dry paper.

 I worked in sections using standard watercolor brushes to apply the watered-down paint. This background was printed in four sections with a 1/4 inch brush, then I went back and darkened the floral areas a little bit at a time with a small brush. I did the hands one at a time, though they're too light and I'll be going back in to define them more. More to come in the next post.


Andrew Stone said...

The arabesque of your "wallpaper" is lovely and the ethereal quality of this technique should really match the steam/vapors/ideas that one thinks of with the pouring of tea and tea ceremonies in general. This is very elegant...and it does look fun.

Hannah Skoonberg said...

This looks great!

Amanda said...

I do remember this print Annie, so I must have jumped onboard early, even though I rarely comment these days (sorry!).
It's lovely to see it re-emerge and take a new direction. I'm curious about this technique. I can imagine that there would be problems if the paper was wet, as the colour could bleed, but there must be quite a bit of skill and/or speed to transfer the colour smoothly to dry paper?

Martha Knox said...

I can't wait to see more!