|A Spring by Koshiro Onchi|
I don't know if it's a drawback in Japanese art, but the technical perfection of the Japanese woodblock masters can certainly be a stumbling block for contemporary artists who are trying to work with the Japanese method. Unfortunately, that type of perfection is what many people think of when you say "Japanese woodblock," so it's often the silent standard in a viewer's mind. And in an artist's mind, how can one do a bokashi and not think of (and compare oneself to) the Ukiyo-e masters? Making a bokashi connects you to Japanese art; using washi connects you to Japanese art. The carving tools, the brushes, the process itself connect you to Japanese art. There's a challenge, and a bit of humor, in making contemporary American art using a traditional Japanese art form. For myself, I try to take the support of the beauty and elegance and history of the method without letting go of my own voice and identity, which places me firmly in the tradition of the 20th century sosaku hanga artists.
Unfortunately, I won't be able to see this show, but if you go and would like to share your reaction I'd love to hear about it (or publish it on this blog).