Watercolor woodblock print (moku hanga)
11 x 17 inches (28 x 43 cm)
Made from 2 blocks, 3 hand-rubbed applications of color
Edition of 8 on Yukimi paper
Not that they actually hide anything (we all know what's under there) but toilet paper covers are a kitschy quirky way to cover up a spare toilet roll and also a fun project for people who crochet. They can be made to resemble animals or can have doll parts attached or… well, whatever you can imagine. I'm not sure the real purpose of toilet paper covers — maybe to keep dust from getting on the extra roll of paper?
I made a woodblock print of a beige crocheted toilet paper cover to conjure up all of the myriad issues around human waste, toilets, and water use. A study conducted in 2016 found that household water use via toilets has fallen from 18.5 gallons per person per day in 1999 to 14.2 gallons in 2016 but, that improvement notwithstanding, treatment of waste water remains challenging. Although I've known that flushing wipes or tampons will clog sewer systems, I learned while working on this print that even flushing kleenex challenges water treatment systems because kleenex is treated with a chemical binder to prevent it from breaking down easily (article here). I was also taken aback to learn that low levels of organic wastewater compounds, including prescription and nonprescription drugs and hormones, have been found in streams across the US and that some pharmaceuticals persist in drinking-water despite water treatment processes. Yikes, does this mean that I'm drinking your antidepressants? Also, apparently human beings now poop plastic.
At any rate, my mokuhanga toilet paper cover is not very kitschy. I wanted to challenge myself to represent realistic stitching, so this print relies on what I call "virtuoso carving" in order to achieve that goal. I have a love/hate relationship with virtuoso carving. I like it when it's finished, but the doing of it is pretty strenuous and it hurts my back and neck. It's worth the pain, though. Pictures below show the two blocks that define the two color levels needed to define the stitches as well as the intermediate stage of printing.
With two prints now completed (this one and "Fiji Water 1.5") I now have a direction for these water prints: realistic objects that succinctly represent the environmental issues humans face regarding water.