This month I’m taking a short break from my current series to work on a piece for a project called “Re-Riding History: From the Southern Plains to the Matanzas Bay” organized by Emily Arthur, Marwin Begaye, and John Hitchcock. The three curators have invited 72 artists to create works inspired by the story of the relocation and imprisonment of 72 Plains Indians who were captured in 1875 at Salt Fork, Oklahoma, and brought by wagon, train and boat to Fort Marion in St. Augustine, Florida.
As followers of my blog probably know, I’ve been interested in Native American history for almost as long as I’ve been making woodblock prints, and I’ve done a number of works on the topic (see some here, here and here), so I was touched and excited when Emily Arthur invited me. I said yes immediately, was offered a PDF full of research links on the topic, and I’ve spent several weeks now learning about this little-examined incident in America’s inglorious relationship with our native peoples.
|Fort Marion, St. Augustine, Florida|
|Apaches at Fort Marion|
|Lt. Richard Pratt|
In the next couple of weeks I’ll be posting about this project as I work on it.