21 August 2014
View of Fuji from Mt. Holyoke
View of Fuji from Mt. Holyoke after a Thunderstorm (after Thomas Cole)
White line woodcut on Rives heavyweight
I wanted to try one more white line print before I teach a workshop at Zea Mays in October, and this time I wanted to try something a little more moody, since I was previously disconcerted by the relative brightness (and happy tone) of my white line experiments. If you've ever seen Thomas Cole's "View from Mount Holyoke, Northampton, Massachusetts after a Thunderstorm—The Oxbow," then you'll know what I mean by moody.
My white line print certainly can't compare to Cole's painting, either in mood or in skill. But it's a view of the same scene (the Oxbow of the Connecticut River at Northampton, Massachusetts) and it perfectly encapsulates my feelings of longing to go to Japan next month for the Second International Mokuhanga Conference. Alas, I can't go, so I will pretend that I can see Mt. Fuji from Mt. Holyoke when I look westward.
On a technical note, I carved this print on birch plywood instead of shina. I'm not fond of carving birch ply – it chips more than shina and the glue is hard on tools – but the grain was fun to work with.
I sent a jpeg of this print to my friend Mariko who lives in the Tokyo area thinking that she would appreciate the sentiment. She did appreciate the sentiment, but I was amused when her feedback included the word 'akarui,' which can be translated as 'bright' or 'cheerful.' I guess white line prints look cheerful in any language.