The first day of the conference was focused around two sites, San Francisco State University and City College of San Francisco. I was excited to see a demonstration of flying printed kites at SFSU, having made a kite for the Mokuhanga Conference in Kyoto in 2011, but the event hadn't really gotten going yet when I was there and there wasn't much wind, so I continued on.
The exhibition I most loved at SFSU was one called
Progressive Proof: Innovative Prints from the Pacific Rim, which featured dimensional work by nine women artists. Here are some shots from that show.
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| Double Happiness by Imin Yeh, Custom sawdust/paper fiber composite boards, ink, paper |
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| Weight of Being by Hyeyoung Shin, digital prints and Gampi paper feet casts. |
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| I love the sheen of the Gampi. The human body as print matrix. |
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| Feminist Essay by Emily Floyd, medium density fiberboard (mdf) letters. |
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| Portrait of Eve Clone by Pey Chwen Lin, hologram prints. |
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| Portrait of Eve Clone by Pey Chwen Lin, hologram prints. |
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| Making Everything Make Sense: A four-day print by Aimée Henny Brown, sewing machine, table, chair, bell, scissors, San Francisco Chronicle Newspaper from Jan 13 - Feb 13, 2014, thread, dress, sweater, shoes. |
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| Detail of Making Everything Make Sense: A four-day print by Aimée Henny Brown |
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