10 November 2005
And Commitment Issues
The biggest difference I find between making a digital illustration and making a woodblock print is in degree of commitment. On a good day I can create a finished digital illustration that I'm happy with in about a half a day, and the medium is so fluid I can try out a lot of different options fairly easily. A multicolor woodblock print, on the other hand, is at least a two week process (for me at this stage, anyway) and it's quite methodical, so I find that I want to be really committed to the image. For a couple of weeks now I've been making some sketches for the next print, but just the thought of all the work it will take to actually make the print keeps dissuading me from following through on various sketches. I keep making sketches that I don't like well enough to work with for the long haul. I guess in a way this is good. It's forcing me to wait until the image is really right and keeps me from settling for less. But what about experimenting and just "fooling around" with the medium? Woodblock doesn't seem to lend itself to easy experimentation. It's such a different process, such a different pace than what I'm used to.
I think i would really like the pace if woodblock was all the work I was doing, but the extremely fast and high-pressured pace of commercial illustration work kind of takes over my life and it's hard for me to readjust my clock even when I manage to find some time for woodblock. I'm not quitting yet, though!
Any thoughts or tips?