My white line print is not quite like Blanche Lazelle's work, I'm afraid. Rather than beginning with a drawing, I've begun with a grid. Just a personality thing, I guess. I work best with structure.
Once I had my grid, I carved away all of the squares that I wanted to remain white and I printed with the palest of blues. On the soft damp Echizen Kozo paper that I'm using, the grid made a beautiful emboss. I almost wanted to stop right there.
But I continued. I carved away a few squares and printed again, and did the same thing a third time. Then some selective inking with some pink.
I'll tell you next time where I think I'm going with this.
2 comments:
Did you do any prints without inking, just embossed of the complete grid?
I love finding un-inked embossing in Japanese prints. I have one my Hirosada with a white rabbit with amazing embossed fur.
xx
Hi Celia,
I didn't do any plain emboss prints in this run, but as soon as I saw the lovely emboss on the first pass a whole world of possibilities definitely passed through my mind!
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